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Amid the fall showcase festivals we muse about branded content trends and look back at some classic examples
Itâs the kickoff of award season with the major festival showcases underwayâTelluride just wrapped, while Venice does so today. TIFF started things off Thursday night.
One of the duties of these starry red carpets is to function as a launchpad for Oscar contention. Yet, while award season campaigning has belatedly come to Short Film in recent years, these fests do not serve an equivalent function for shorts. Venice has a small and admirable program that still tends to feel Cannes-lite and, while TIFF has done well to grow its reputation in shorts, a decade ago it was still restricted to Canadian films. Telluride scarcely has shorts at all (though having Barry Jenkins program the few it does screen is pretty cool).
Truthfully, Iâm skeptical that any event could perform such a function for short films for myriad reasons. Whether weâd even want such a thing is itself debatable. However, the infrastructure for having shorts make a splash at these events exists and increasingly I expect brands will endeavor to fill it.
Brand films are not new, but there are signs of a big resurgence. They were a buzzy trend in the early 2010s but then fell into a lull. With the success of Barbie spurring brands everywhere to consider entertainment and notable Hollywood figures like Michael Sugar evangelizing that brands should develop and own IP they create, brand films are hot again. Reading the trades this week tickled my brain on this subject, so letâs theme this edition of the newsletter loosely around the idea, starting with our usual â10 ThingsâŚâ
đ 10 Things Weâre Paying Paying Attention To
âThe Turnaroundâ - Breakwater Studios
Ben Proudfoot debuts new film with the Obamas - If anyone could establish the fall festivals as a bankable trampoline to Oscar it is Proudfoot. With two Short Doc wins and another nomination in the past 4 years, he is the first person to make award nominations feel like foregone conclusionsâand brands are going along for the ride. Starting the summer at TribecaX with a brand doc, he ends it at Telluride with the premiere of his new short, The Turnaround. âShort of the Yearâ winner Kyle Thrash co-directs, the Obamaâs production company is on board, as is the DICKâs Sporting Goods in-house brand studio and Major League Baseball. Deadline has the story.
Polarizing auteur Nicolas Winding Refn debuts brand film - Over at Venice, a buzzy brand short for the motorcycle maker Agusta played, and the film is being called the âfirst commercialâ chosen as an official selection by the venerated festival.
The latest in Miu Miuâs âWomenâs Talesâ series arrives - Also in Venice, at the festivalâs independent sidebar, the fashion brand Miu Miu premiered the 28th installment of its auteur short film series âWomenâs Talesâ in front of celebrities like Joe Alwyn and Olivia Rodrigo. Argentinian filmmaker Laura Citarella wrote and directed the short, El Affaire Miu Miu, and the film launched online earlier this week with breathless coverage from the fashion press.
Newest AI festival hands out awards - There is an opening for what will become the crown jewel of the AI film festival circuit. Assuming traditional festivals donât absorb the category, whichever event claims the mantle will likely be a brandâs brainchild. Reply, an Italian-based âsystem integrationâ company threw its hat in the ring in Venice with its first Reply AI Film Festival in collaboration with Mastercard. Paul Trillo and Vallee Duhamel were among the judges, check out the winners.
Gotham Week debuts its first âBrand Storytellersâ cohort - The upcoming NYC showcase for indie feature projects has chosen to highlight ââŚfilm and media creators with unique vision and distinctive visual style who have experience in the branded storytelling space.â
Short Film âKamalaâ to hit theaters ahead of the election - Seguing to a different kind of brand, The Hollywood Reporter has the scoop on a pro-Kamala profile doc getting a theatrical push.
11 Must-See Short Films at TIFF 2024 - C.J. Prince delivers a must-read preview of the Short Cuts program for The Film Stage.
Netflix Doc Fund Returns - Applications are open to UK and Irish filmmakers for this grant that delivers up to ÂŁ30,000.00 to fund a short documentary. Deadline is Sept 27th.
Behind Neonâs Banner Year and Rivalry with A24 - An insightful conversation with CEO Tom Quinn on the US distributorâs banner year.
âWhy AI isnât Going to Make Artâ - Ted Chiang, one of my favorite writers (and someone whose fiction is exclusively short stories btw) delivers a defense of human creativity in the face of AI anxiety.
đ This Week on Short of the Week
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With The Move, we welcome Eric Kissack back to the site for the first time since his smash-hit short The Gunfighter. A relationship comedy that hinges on a big sci-fi premise, Irina commends the chemistry of the real-life lead couple and the rhythm of the laughs, something Kissack has honed over years of serving as an editor on classic TV comedies like Veep and The Good Place.
Other Other also has a sci-fi revelation that threatens the relationship at its heart. Mohamad El Masri also has TV experience as a writer/producer on Severance, and Georg notes the cleverness of its conceit, as it extrapolates the challenge of translating an online relationship to real life to a level of metaphysical confusion.
Jakob MĂĄrky goes meta with Make-Up, a film about a director named âJakobâ who descends the path of obsession. CĂŠline writes our review complimenting how the film ââŚuses a sharp, darkly humorous tone to craft a situation where the power dynamics and issues of consent between the characters gives the film a surprising turn.â
We closed the week with Neh by Jesse Gi. A crowdpleaser on the 2021 festival circuit, the film was picked up by HBO before this online release. The reason why is clear, as Irina notes in her piece, as the date film is a funny interrogation of 2nd-generation Asian identity and stars the popular actor Joon Lee in a standout performance.
đŞ Into the Shortverse
Returning to the idea of Brand Films, I threw together a collection with notable examples old and new. Iâm not going to lie, there isnât a ton of curatorial thought in this, I just grabbed films I remembered and liked. Some of these are big director names like Wes Anderson and Spike Jonze, or the Riz Ahmed example pictured which won Oscar. Others are more hipster picks I have a special affection for. Honestly, after going deep on the form in 2010s I havenât stayed up to date of late and would love suggestions on what to add to make this a growing, definitive collection. Reply to this email this your faves!
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