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A Fear of Change
A new short film anthology is set to hit streaming, we roundup recent festival winners, + our latest featured reviews
It finally happened, my account got switched to the new Vimeo film page design. đ
Iâve helped build enough stuff on the web to know that audiences always hate anything new, but thenâŠthey get used to it. Itâs funny though how knowing a thing doesnât, in any way, affect your feelings in the moment because Iâve been hovering my cursor over the player all week looking for that heart or watch later button with increasing exasperation.
I can see the logic though â itâs nice to have that big player that spans the screenâthatâs something weâve prioritized on Short of the Week and Shortverse. We also redid the Shortverse film page earlier this year to make opportunities for engagement more prominent, just as Vimeo does here. Iâm sure someday this new design will be remembered with nostalgic affection, but for now, Iâm just your basic whiny user who hates change! đ
With gripes out of the way, this edition of Shorts Weekly has for you:
Our latest Short of the Week Official Selections, including a formally stylish documentary and a fun queer genre-bender
Curated links from the world of film including word about a new short film anthology from the creators of Love Death + Robots.
Interesting festival announcements galore!
Letâs begin.
đ This Week on Short of the Week
đ 10 Things Weâre Paying Paying Attention To
Love Death + Robots fans can rejoice! From Blur, the studio behind the acclaimed sci-fi animation anthology comes Secret Level, a new project creating short films based on beloved video games.
Are you ready for a Chick-Fil-A streaming service? While everyone is evincing concern over the Hollywood studios, companies you wouldnât expect are getting in the content gameâlike my local hospital chain.
Embarrassing mix-up, or cynical marketing genius? The 1st trailer for Francis Ford Coppolaâs Megalopolis quoted negative reviews from eminent critics for some of the filmmakerâs legendary films like The Godfather and Apocalypse Now. Turns out, the quotes were fake.
Chinese companies are getting into consumer generative AI. TikTok parent, Bytedance, has a new text-to-video product called Jimeng (available only in China for now) and Iâve been seeing buzz online for another text-to-video service called KlingAI.
In further AI news, if youâve wanted to try Midjourney out but didnât want to fuss with its Discord-based interface, the text-to-image generator is finally available on the web.
Our friends at Video Consortium have launched Rough Cut Mag, a new digital home for their editorial content. Start with the latest ep of their podcast featuring S/W Alums Scott Faris and Meg Griffiths.
Applications are open for AFIâs prestigious DWW+ program. Formerly called the âDirecting Workshop for Womenâ the esteemed 50-year-old program is a 1yr+ intensive workshop and mentorship program around the creation of a short film. Recent S/W-featured filmmakers to participate include Vanessa Beletic, Kelly Pike, and Em Weinstein.
A manager/producer reaches out and says they love your work, then sends a list of 3 ideas for you to consider. What should you do?
The love-fest for Tubi continues with the NyTimes playing up the underdog angle, calling the Fox-owned AVOD service âThe Little Streamer That Couldâ.
One of those articles that seems written specifically for me, but maybe youâll enjoy it too? âThey Donât Make Anime Like They Used To (And Thatâs Ok)â
đ Festival Updates
Our intermittent updates on the world of film festivals. This week we relay fresh links and a few lineup and award announcements.
A few weeks back I mentioned esteemed video essay creator Kevin B. Lee was leading a symposium at Locarno. Videos of the sessions have now dropped.
Hollyshorts announced its winners. The festival qualifies 4 films for Oscar each year and perennial participant Ben Proudfoot (The Final Copy of Ilon Specht) will once again be a contender. Joining him are S/W alum Nina Gantz (Wander to Wonder), Adam J. Graves (Anuja), and the Grand Prize winner, Jordanian/Palestinian filmmaker Dina Naser (Amplified).
Melbourne also handed out awards. Palme dâOr winner The Man Who Could Not Remain Silent took the International prize, while The Meaningless Daydreams of Augie & Celeste took home Best Australian short.
Short of the Week alum Ivar Aase is the Best of Fest Winner at Salute Your Shorts for his work Complications. This is an LA fest that CĂ©line developed quite a bit of affection for after jurying for it last year, and the winners, which you can spy on their Instagram, are very strong.
Speaking of jurying, shoutout to the Drama International Short Film Festival in Greece which will have CĂ©line on its international student competition jury in a week and a half. Celebrated filmmaker Thanasis Neofotistos programmed the section!
New York Film Festival is known as a buzzy award launchpad, but its Currents section celebrates innovative and provocative filmmaking. 28 shorts are in this yearâs lineup including a new film from a Chinese artist I quite like, Lei Lei.
Doc NYC has named the latest honorees of its annual â40 under 40â list. Congrats to Short of the Week featured filmmakers, Jimmy Goldblum (director: A Broken House), J.M Harper (editor: Donât Go Tellinâ Your Momma), & Will Miller (producer: Nuisance Bear) for securing spots!
The ÂŁ30,000 Iris Prize is one of the most prestigious awards in LGBTQ+ filmmaking. The 35-film shortlist has now been announced, with the winner to be named at the upcoming festival.
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